Allan Ramsay’s formal education as an artist started at the Edinburgh College of Art where he studied Figure Drawing. He went onto study painting at Glasgow School of Art and at the Art Students` League in New York. The winner of the John Player (now BP) Portrait ward at the National Portrait Gallery London He is also the recipient of the Elizabeth Greenshields Foundation Award, Canada (1990) and the China-United Kingdom Art Prize at Art Suzhou, China (2016) Allan has frequently exhibited at London’s Royal Academy and the Royal Society of Portraits Painters. His works are included private collections, in the collection of the National Portrait Gallery and the Edinburgh City Council. A highly experienced Art Tutor he comes to the Essential School of Painting having taught at Glasgow School of Art, Portrait Drawing Masterclasses at the National Portrait Gallery in London, Wimbledon School of Art and London’s Heatherley School of Fine Art.
Curriculum Vitae
TEACHING , WORKSHOPS , MASTERCLASSES
2016 -1994 Heatherley School of Fine Art ,London
2005 Glasgow Museums and Galleries, Burrell Collection
2003 -2005 Glasgow School of Art
2004 Glasgow Museums and Galleries, Burrell Collection
2003 Glasgow Museums & Galleries, Drawing Glasgow Together–the Big Draw”
2003 Glasgow School of Art, Architecture Department ,Figure Drawing Classes
2000-2001 Wimbledon School of Art
2000 “Art in Action”, Oxford
1992 National Portrait Gallery London, Portrait Drawing Masterclass
1990 National Portrait Gallery, London . Portrait Drawing Masterclass .
1990 – 91 Edinburgh City Art Centre
EXHIBITIONS
2016 Art Suzhou 2016 China Exhibited with Lan Art Gallery
2016 Royal Society of Portrait Painters London
2015 The Contemporary Portrait, Thompson`s Gallery, London
2014 Royal Society of Portrait Painters London
2012 Royal Society of Portrait Painters London
2009 Royal Society of Portrait Painters London
2009 Originals 09, Mall Galleries London
2006 “Icons and Idols”, National Portrait Gallery London
2006 Royal Society of Portrait Painters London
2005 Scottish Drawing Competition Paisley Art Institute and Museum
2001 Royal Scottish Academy Edinburgh
2000 Royal Society of Portrait Painters London
1999 Royal Academy Summer Show London
1998 Royal Society of Portrait Painters London
1998 Royal Academy Summer Show London
1997 Royal Academy Summer Show London
1997 Royal Society of Portrait Painters London
1996 The Scottish Print Open, Glasgow Print Studio
1996 Making a Mark : Figure . Mall Galleries London
1995 Morrison Scottish Portrait Award . Royal Scottish Academy Edinburgh
1996 Royal Academy Summer Show, London
1996 Royal Society of Portrait Painters Mall Galleries, London
1991 Ten Years of the Portrait Awards, National Portrait Gallery London
1988 John Player Portrait Award , National Portrait Gallery London
AWARDS
2016 China / Uk Art Prize Art Suzhou 2016
1990 Elizabeth Greenshields Foundation Award Canada
1988 1st prize John Player (now BP) Portrait Award from the National Portrait Gallery London
PORTRAIT COMMISSIONS
Sir Alan Ayckbourn National Portrait Gallery, London
Mr. Christopher Johnson, Senior Bursar St John’s College, University of Cambridge
Sir Raymond Hoffenberg President Wolfson College, University of Oxford
Sir Aubrey Trottman – Dickenson, Principal University of Cardiff
Sir Rex Richards, Chancellor University of Exeter
Lord Provost Dr John McKay and City Officer City of Edinburgh District Council
Mr. Charles Allan for the City of Edinburgh District Council
PUBLIC COLLECTIONS
National Portrait Gallery London
City of Edinburgh District Council
5 Week Portrait Drawing Course
Some thoughts on teaching , Extract from an interview in HOT COURSES , LONDON , Magazine
Q What do you think is the most important skill required to do your job?
The most important thing about teaching in a studio environment is to enjoy meeting and teaching people. The most important skill is to understand the mechanisms of painting / drawing and to be able to explain these mechanisms to students in a way that is easily understandable.
Q When students come to the first session, what’s the first thing you teach them?
Teaching is not a ‘one size fits all’ situation. The first thing I try to do is to encourage students to relax and enjoy the learning process. I then wait to see what each student needs to learn.
Q What do students gain from your lessons?
Facility, understanding and, hopefully, an enjoyment of the process.
Q What’s the hardest thing to teach?
Nothing is hard to teach to a willing student.
Q How do you encourage amateur artists to develop their own style?
The beauty of teaching is that everyone has their own style. It is the teacher’s job to provide an understanding of structures, thereby supporting each individual’s own style and aspirations.
DRAWING COURSE ( 5 Weeks )
A five week drawing course will enable students to gain an enjoyment and understanding of the processes required to draw the human head .
It is suitable for students of all levels from beginners to the more experienced